Lulu, by Alban Berg, with Glyndebourne Festival Opera, Andrew Davis ★★★★
This opera, written by the Viennese composer Alban Berg, represents the life of a society hostess, in her rise and fall to eventual murder. A tragic tale, the music was most fitting to the piece, though often in a serial or atonal style. The opera was by Mozartian standards a bit strange, yet was completely fitting for expectations of 20th-century works. If you are not familiar with 20th-century opera and expect standard solos, duets, ensembles, etc., this piece will not fare well with you. Certainly, the lead role of Lulu, performed by Christine Schäfer, was impeccably done, with a very demanding and challenging part performed to perfection and with the greatest finesse. Christine herself gets 5 stars. The opera itself gets only 4 stars from me, not because of any performance problems, but only because 20th-century serialism is not exactly my favorite cup of tea, while the plot and storyline itself focused on the gutter elements in society, not exactly transcending the soul to greater thoughts and loftier ambitions.