Adobe InDesign CS4 One on One

Adobe InDesign CS4 One on One, by Deke McClelland ★★★★
I’ve been a bit remiss on writing on my blog site. Every once in a while I feel like I need to offer a personal reflection on what’s going on, but that may be a while from now. There are some trips being planned soon, which I’ll detail when I get back.
It is a bit unusual perhaps seeing a book on InDesign from me. Oddly, typography has a particular attraction for me. I remember the days when I was a typographical apprentice, mostly using hot type. It was at that time, in the early 1970s when cold type first arrived. I remember the clunky and always problematic Alphatype machine, which seemed to be broken more often than not. But, it was the forerunner of our current typesetting technology. I suspected back in 1973 that computers would eventually take over the typesetting business, and I was correct. The only use I had for my Journeyman’s card was to work my way through medical school. My former union (International Typographical Union) doesn’t even exist anymore. It was in the early 1980s that the first real typesetting program came out, called Aldus PageMaker. I purchased it and started playing with it. It was unreal how closely PageMaker simulated how a typographer would approach type. Aldus was since bought out by Adobe, who later morphed PageMaker into InDesign, constantly adding new functionality. This book takes one on a whirlwind tour of InDesign CS4. It is quite amazing all the power that one now has in the program, compared to the first version of PageMaker. McClelland adeptly demonstrates many of the subtle functions of InDesign CS4. His instructions are quite easy to follow, compared to many how-to-do computer books. Each chapter is accompanied by a short video that highlights a particular segment of the upcoming chapter. My only complaint about the book is the preoccupation with certain distractions, such as how to draw figures, that are nice to be able to do in InDesign but best performed in Illustrator. I would be quite amazed if somebody owned InDesign and did NOT own both Illustrator and Photoshop. Many typesetting topics were glossed over. He could have spent more time on the use of styles, which is one of the strongest utilities in InDesign. His examples included portions of past books that he wrote, or a silly frog article called Professor Shenbop. I would have appreciated a fuller spectrum of types of publications. Deke did have a keen eye for typographical details, and I wished he would have mentioned his thinking more often regarding adjustments of type spacing, etc. In the 1970s, everything had to be -10% between-letter spacing, so that letters ran on top of each other—thankfully, that is bygone. In summary, Deke does a most capable job of giving one a great summary of what InDesign CS4, and what it can do. For somebody familiar with InDesign, it was still helpful to read, and I felt like I picked up many new tips to make InDesign more useful to me.