May 06

Great American Art: The Broadway Musical, by Bill Messenger (Teaching Company) ★★★

Bill Messenger did another Teaching Company series on the history of jazz, which I liked considerably. Though I was not terribly interested in the broadway musical (far preferring “classical” music), I thought this would be an interesting series to hear out. Messenger starts with the minstrel format, showing how it was a parody of a parody of whites imitating negroes imitating whites. This evolved eventually into ragtime, vaudeville and tin pan alley, now considered to define American music. Eventually, through the work of various greats as Irving Berlin, Jerome Kern, George Gershwin, Cole Porter, Richard Rogers and Oscar Hammerstein, the full-blown American musical emerged. Messenger follows the broadway musical all the way up to the turn of the century, showing how the genre has changed over time. He offers many musical examples, often performing himself on the piano. This is a fun and informative series, even for a person not terribly interested in Broadway.

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Mar 25

The 30 Greatest Orchestral Works, by Robert Greenberg (The Teaching Company Audio) ★★★★

Greeenberg reviews thirty of the greatest pieces in the orchestral repertoire from Bach to Shostakovich. Each piece includes a biographical review of the composer, the nature of the composition, the compositional style, and then what makes it great. It is a whirlwind tour that covers the most relevant pieces. The last lecture on the ones that got away leaves one feeling that probably far more than thirty pieces still could have been included. Greenberg ends with a statement about how we need to support modern composers by listening to their music, noting that the very odd compositional years of the 80′s are long gone, and that composers are again writing quite sensible pieces. Perhaps the best thing Greenberg  could do is to do a series on contemporary classical music, giving us an argument as to why we should listen to modern pieces,  showing us what’s out there, and showing us why those pieces make them worthy of our attention.

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Feb 19

Keeping Score – Shostakovich Symphony #5 with Michael Tilson Thomas and the San Francisco Symphony ★★★★

Besides Bach, Shostakovich is one of the truly great composers to ever have lived. His was a life like Bach’s that was filled with tormentors and critics that had no appreciation for the greatness of the person. This film is one of the “Keeping Score” series where the director of the San Francisco Symphony engages in an educational forum that briefly describes the life of Shostakovich, while doing a quick analysis of the 5th symphony. It is quite educational, and even if one doesn’t like Shostakovich, they would find this film to be  informative. The DVD actually consists of two parts, the first being an analysis of the piece, and the second  being a live performance in London of the 5th symphony. Together they help to give a person a starting understanding of person of Shostakovich and the style of his compositions. The film is definitely intended for musical beginners, though anybody will get value out of seeing Thomas’ interpretation one of the great symphonies of all time, Shostakovich’s fifth.

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Dec 26

Note by Note: The making of Steinway L1037 ★★★★

I’ve always wondered how a piano was built. I didn’t realize that Steinway concert grand pianos were entirely built by hand, and are probably one of the only concert pianos still made by hand. This movie walks one through the year long endeavor to build a piano. One starts in the lumber mill, where wood is specifically selected for the piano case and sounding board. Slow and meticulous processes eventually lead to the developed project. Many scenes are also shot of profession musicians in the NY Steinway piano store  trying out pianos. I guess that even with Steinway pianos, the action can vary enough that a concert musician may need to try 10-15 pianos before finding the instrument of his liking. There are a lot of extras with this movie, but the feature attraction was itself a fascinating journal behind the walls of the Steinway piano factory in New York, with interviews of many of the piano building craftsmen. Steinways have many hand carved features, constructed to precise millimeter tolerances. The tuning is all by hand, and not electronic like most other piano builders. The keys and their actions are all meticulously adjusted by hand to properly strike the strings with appropriate action on the key. One was left realizing that there may be a day where much of the art and skills of hand piano construction may be lost, and then we will be stuck with cheap Japanese imitations. Oh well!!!!

 

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Nov 28

 

Concert Masterpieces, by Robert Greenberg ★★★★★

Greenberg does it again, producing a delightful review of eight concert pieces of value from the classical repertoire. In this set of 32 45-minute lectures, each four lectures covers a given piece of music. Included are the Mozart 25th Piano concerto, Beethoven 5th piano concerto, Dvorak 9th symphony, R. Strauss Death and Transfiguration, Beethoven Violin Concerto, Brahms violin concerto, Mendelssohn Mid-summer night’s dream, and Liszt Totentanz. Each set of four lectures covers in the first lecture a broad survey of the musical scene. The second lecture then focuses on the particular piece in its setting with other similar pieces of music, and then the last two lectures delve into the details of the piece of music itself. The entire lecture set remains very easy to listen to because of Greenberg’s humor mixed with a steady stream of fascinating information. He is never too technical, and spends much time filling in the listener  to the music theory and technical details of the piece. This set is a wonderful way to familiarize yourself to these eight pieces of music. It also helps build one’s ear for listening to any piece of classical music.

 

 

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