May 21

The Art of Public Speaking, by John Hale ★★

The Art of Public Speaking is a 12 – 1/2 hour series produced by the Teaching Company, using one of their regular lecturers, an archeologist John Hale. Hale’s style is to call up  noteworthy public speeches throughout history, showing how they were effective as public speeches. Hale selects a specific theme for each lecture, and will use a historical example followed by other historical examples reflective of the same theme to drive his point home. Much of his advice is sound and worth considering when speaking in public. My only gripe with the lecture series is that he tends to use choice speeches as soap boxes. Thus, there was the lectures on speaking in public, plus the under current of socio-philosophical ideology. I suppose Hale didn’t intend that, but it still comes out strong.

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May 14

The Brothers Karamazov, ★★★★★

Having just read the Brothers Karamazov, I found this film to be quite rewarding. This is 12 – 45 minute episodes, I presume made for television. Spectacular is an understatement. The acting, the filming, and the script writing were all superb. For the script writer, reducing a lengthy novel and yet retaining the substance of the book would have been challenging and yet done flawlessly in this series. The filming is most outstanding, with the beauty of old Russia coming out with each scene. There was no hint of soap opera or cheap acting in this film, and all the actors were very convincing in their roles. Too bad they couldn’t be included in the choice for the countless Hollywood screen awards, since this film would definitely win. The subtitles often had misspellings, and grammatical errors were rampant, yet it was still easy to figure out what was being said. If one loves Dostoevski, then this movie (series) is an absolute must.

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May 06

Great American Art: The Broadway Musical, by Bill Messenger (Teaching Company) ★★★

Bill Messenger did another Teaching Company series on the history of jazz, which I liked considerably. Though I was not terribly interested in the broadway musical (far preferring “classical” music), I thought this would be an interesting series to hear out. Messenger starts with the minstrel format, showing how it was a parody of a parody of whites imitating negroes imitating whites. This evolved eventually into ragtime, vaudeville and tin pan alley, now considered to define American music. Eventually, through the work of various greats as Irving Berlin, Jerome Kern, George Gershwin, Cole Porter, Richard Rogers and Oscar Hammerstein, the full-blown American musical emerged. Messenger follows the broadway musical all the way up to the turn of the century, showing how the genre has changed over time. He offers many musical examples, often performing himself on the piano. This is a fun and informative series, even for a person not terribly interested in Broadway.

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Apr 23

Classics of Russian Literature, by Irwin Weill (Teaching Company) ★★★★

I originally started to listen to this series several years ago, and found it to be somewhat boring. I made it through about 4 lectures. Recently, I devoted myself to reading Dostoevsky, and returned to this series. Having read some Russian literature, Weill began to make sense, and I found the series to be considerably more enjoyable. Weill’s attention is definitely directed toward Pushkin, Dostoevsky, and Tolstoy. He spends several lectures apiece on 20th century writers, though Solzhenitzen is given only one lecture. Many of the 20th century authors were quite appealing after Weill’s discussion, but the particular book or play was either unavailable on Amazon.com or moderately expensive, and not available for Kindle. This was a touch frustrating. In all, Weill presents an appealing presentation for delving in the Russian Literature, and an excellent summary for the person versed in the Russian author.

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Apr 21

Crime and Punishment (Film) ★★★★★

This is a Russian adaption of the Dostoevsky novel by the same name, made for television, and in 8 episodes. Having just read the novel, I was quite curious about seeing how a Russian filmmaker would render the novel. This series stuck very close to the book, and minimal artistic license seemed to have been exercised. The sets and acting were for the most part superbly accomplished. There were only a few rare scenes where the acting was slightly “soap opera-ish”. Raskalnikov was totally superb in his acting. The filming was superb. On Amazon.com the only real complaints were about the subtitle translation. True, there were frequent misspelled words and grammatical errors but these were never so egregious that one could not immediately figure out what was said. For those who love Dostoevsky, this is a MUST have. Do NOT get Hollywood versions of the Dostoevsky novels, as they have been best performed in the mother land. If you must have the movie in English and don’t know how to read subtitles, then you shouldn’t be watching movies at all but going to English school. Betsy and I are now working through Brothers Karamozov and soon the Idiot, both also made for television, the Brothers Karamozov (soon to be reviewed) is equally superlative in its production and accuracy to the novel. Nothing is better than reading the novels themselves, as Dostoevsky’s writing style and the minor nuances of his text could never completely put on film. I would highly recommend reading these Dostoevsky novels before ever watching the films.

 

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