Sep 12

Peter Grimes, by Benjamin Britten, starring Peter Pears, conducted by Britten, made for t.v. ?

This is an opera that has been recorded for DVD at least 5-6 times, and usually gets a 5-star rating. This performance by the composer himself has the highest reviews of all. Yet, both Betsy and I sat entirely bewildered for at least 2 hrs. and 15 minutes. This piece did not appear to have any remarkable creativity at all. It is exactly the sing-songy type speech one would make if one chose to satirize an opera. The story line also was entirely incoherent. It was quite obvious that Britten wished to make strong anti-Christian statements, but did so quite poorly, the story line showing hypocritical Christian leaders condemning Peter Grimes, and not showing sympathy for him. Yet, it was Peter Grimes that was money-grubbing, resulting in driving a child to death at the beginning of the opera and then the end of the opera again. No wonder the “Christian” folk were upset! Britten was a flagrant homosexual, and his lover was Peter Pears, thus, he wrote many pieces supposedly for Peter Pears. Perhaps his utilization of a boy-servant for Peter Grimes was not quite appropriate in such a setting. All in all, this work had no consistency for music, there were no musical episodes that one could call great composed music, the plot was horrible, and if a statement was attempted to be made, it was made quite poorly. This is an opera that I would never waste my time watching again. Don’t waste your time.

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Sep 09

Der Fliegende Holländer, by Richard Wagner, conducted by Wolfgang Sawallisch, starring Donald McIntyre as der fliegende Holländer, and Catarina Ligendza as Senta ?????

This opera production has received mixed reviews with Amazon.com, being that it was a filmed version and not a staged version of the opera, and that there were short deletions in the full performance of the opera. I can appreciate criticisms regarding deletions, but not on objection to the opera being filmed in life-like circumstances. I consider the opposite of film versions, to be minimalist opera, which seems to be exactly fly in the face as to why composers wrote operas rather than oratorios–because they expected the staging/scenery to contribute to the statement of the opera. To change the scene from what the composer wrote is (in my not so humble) opinion similar to changing the musical script itself. Meanwhile, back to this opera. First, the musical performance was superb. Both McIntyre and Ligendza have superb voices, and the supporting vocalists were all first class. The live scenery was more effective at conveying the opera story than a staged version would have ever done. Of the two things that have made opera accessible to modern populaces, undertitles (supratitles at the opera) and filmed versions have been the most effective at spreading the appeal of opera to normal folk. I would certainly like to see more productions like this, especially with the Wagner operas, such as Tannhäuser or der Meistersinger. While playing this opera, I asked Betsy to guess the composer, and she was quite surprised to learn that it was Wagner. She had thought that Wagner did not write melodious opera that could appeal to all. This opera, and this production in particular, is a wonderful way to begin entry into the world of Wagner, before tackling his more mature works.

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Sep 09

The Fugitive, starring Harrison Ford, Tommy Lee Jones  ?????

This is Harrison Ford at his best, filmed mostly in Chicago. It is a suspenseful thriller, Harrison Ford playing the role of a vascular surgeon, Dr. Richard Kimble, falsely sentenced to death for murdering his wife. He manages to escape while being hauled to prison, and then weaves a tale of running from the detectives, while sorting out the identity of the actual killer of his wife. There were a few unbelievable sections, such as when he survives a leap into the spill-out of a dam, and the solitary persistence of the detectives on pursuing Dr. Kimble, with Dr. Kimble remaining only a few steps ahead of them, both parties seeming to know exactly where the other party was going. Even so, it makes a great story and thrilling plot. Mostly, I enjoyed seeing Chicago again. I left Cook County Hospital in 1990, and this was filmed in 1993. Clearly, the insides were not completely Cook County Hospital, but there were recognizable characters, such as Dr. Roxanne (Rocky) Roberts, who was several years ahead of me in residency and stayed on staff in the trauma unit. As an aside, I was glad to hear that they are NOT going to tear down the old County Hospital, but leave it standing for other purposes.

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Sep 09

Beethoven Violin Concerto; with von Karajan and Anne-Sophie Mutter ???

It is uncharacteristic of me to give Karajan only three stars since he is my favorite conductor of the twentieth century. Even this piece was impeccably conducted and beats other performances for its interpretation. I found several things annoying about the recording. Camera work was often bizarre and not typical for filmed orchestral performances. The recording often left the solo violinist too quiet to adequately hear. Since this was recorded close to the end of Karajan’s career, there is a sense of the absence of his prior dynamism.Oddly, he had his eyes open more than is typical for him conducting orchestras. Mutter’s only expression of enjoyment was the last two seconds of the recording on completion of the piece. Regardless, she performed the virtuoso sections of the concerto without flaw and expressively. This is a performance perhaps best listened to and not watched.

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Sep 07

Sadko, by Rimsky-Korsakov, performed by Kirov Opera, Valery Gergiev – Dirigent  ????

Sadko used to be quite strong in the Russian repertoire of opera pieces, and one of the most recognized of RK. This production by Gergiev is very well done, with superb conducting, and awesome and expensive staging sets. No expense was spared on the number of performers/singers, ballet dancers, costumes, visual effects, etc. Unfortunately, the opera story is just plain boring, with a ridiculous plot. The music is delightful, but no pieces stand out as extraordinarily remarkable. It is superb R-K with a bad plot. There are other Russian works far more worth watching. This opera is best for those who have exhausted the standard repertoire and wish to explore the lesser known Russian works.

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