Jan 26

Science and Faith, by C. John Collins ★★★★★

This book must not be confused with the book “The Language of Science and Faith” by Francis S. Collins, a book that would not even be worthy of one star even though written by a highly “eminent” scientist. Jack Collins here produces a lay language masterpiece, originally intended to help homeschool parents discuss issues of science, creation, geology, evolutionary biology, the social sciences, the question of miracles, etc., from a biblical Christian perspective. Jack is completely effective, while not betraying the faith as Francis S.C. has done. This book supplements other books by Jack Collins, including “The God of Miracles” which is supposedly a more technical version of this text, as well as texts that I have previously reviewed on this site. Jack Collins has a masters in electrical engineering from MIT, as well as numerous other degrees, and now teaches Hebrew at Covenant Seminary in St. Louis. I happen to know him on an acquaintance basis.

Collins tackles a formidable enterprise in his endeavor to show that the Christian faith and much of what we learn as science are not in opposition with each other. The first two chapters of the book are a basic philosophical discussion of the intention of the book. Collins then undertakes to discuss the creation narratives with a scientific perspective, especially addressing his preference for viewing the days of creation as days in God’s time, not ours. He has a chapter discussing the problem of man’s fallenness in observing the world. He discusses the issues of God’s providence and miracles in the face of the post-Hume worldview of the impossibility of miracles. He even includes a chapter on environmentalism and how Christians should view the world. Subsequent chapters deal with the age of the earth (he is in the “old-earth” camp), evolution and the development of animals. Two chapters are devoted to the defense of intelligent design. He concludes with thoughts on the social sciences. Finally, the book is ended with a discussion of the culture wars and our approach to the sciences. Though the entire book was excellent, the last two chapters were the best, and it is worth sticking with Collins to the end of the book. He especially notes how Christians have been in bitter attack against each other over minor differences in their view of the entire creation scenario.  About the only thing I wished he would have discussed would have been flood theories, the tower of Babel incident (especially since Collins is a philologist), and some of the other Biblical miracles that often come under attack by the scientific community (eg., Jonah surviving being eaten by a big fish). This book is one of the must-reads for anybody strongly engaged in the sciences to help form a Christian basis for their scientific thinking.

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Jan 21

The Joy of Bach, featuring Brian Blessed ★★★

This short movie is a wonderful tribute to the greatest musician of all time, our own Johann Sebastian Bach. The movie is an amalgam of Blessed reenacting fictitious though highly possibly true scenes from the life of JS Bach, and modern day performances of Bach. The modern day performances were both done in standard orchestral classical style, though the emphasis was on how musicians have incorporated Bach into the most unique circumstances, such as performances on steel drums, guitars, Moog synthesizers, and you name it. Blessed effectively communicates that the music of Bach is so great, that it continues to live today regardless of how it is played. Perhaps there is no other composer that has ever or will ever achieve this distinction to the extent that has happened with Bach. This movie can inspire even those who dislike the music of Bach.

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Jan 21

Ives: The Symphonies, performed by Dohnanyi, Marriner and Mehta ★★★

These are reasonable performances of Charles Ives, a early 20th century American composer (1874-1954). Ives uses much American folk tune and American hymn motifs in his writing. Together, he makes for very poorly convincing symphonies. His are symphonies that I would never use for my “Desert Island Collection” or attend in formal concert. I’ll settle on listening to these symphonies from time to time simply to stay knowledgeable in American music. They are not enjoyable. Better classical music in the 20th century is Russian and German.  The English speaking world flunks in the classical music realm.

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Jan 18

Historical Theology, by Gregg Allison ★★★

Wayne Grudem’s Systematic Theology text is deficit of any historical context. This is a serious deficit to an otherwise excellent systematic theology textbook, and Allison attempts to provide in this text what Grudem left out. Each chapter is arranged topically following the chapters in Grudem. This creates a textbook of historical theology that has strengths but also serious weaknesses. Oftentimes, a theological discussion demands the environment of multiple topics, such as the Christological controversies of the 2-4th centuries which cannot be discussed void of the trinitarian controversies. This leaves  a text that is only half complete. Allison’s text would not be good for a neophyte in historical theology, as he would loose the entire nature of many controversies. For this reason, JND Kelly’s text for early church theological developments, or  Schaff’s History do a far better job of giving the reader a flavor as to the content of  the historical debates. Allison’s text would work better if designed as an advanced text, but this would mean a very large section for each of the topics covered, accompanied by a large amount of repetition. Many areas are woefully incomplete, such as a very poor discussion of subordinationism, the iconoclastic controversy, and the rise of covenant theology, just to name a few. The text has strengths in that it is easily readable, and could act as a jumping off point for further reading. As a primary historical theology text, others do better when they stick to a chronological discussion rather than a topical agenda.

 

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Jan 12

 

Crime and Punishment, by Fyodor Dostoevsky ★★★★★

It’s been quite a few years since I’ve actually sat down to read a novel, and I’m not exactly sure why I chose Dostoevsky or this book, but I’m grateful that I did. This book was read on the Kindle. It is the story of a student-intellectual self-driven to poverty, and then committing a double murder. Most of the book engages in his thoughts and actions in the weeks after the incident until he finally breaks down to turn himself in. The book moves quite slowly most the time, with the necessity of reading through quite lengthy dialogues and monologues. Yet, there is a sublime virtue in this book that truly makes it a great novel. Dostoevsky is a complete master of the art of describing pathos. One reads in a cold sweat. One feels guilty even though not the criminal. The reader experiences the anger, depression, the dilutions, the decisional uncertainty of the characters. In most novels, you are a fly on the wall, watching the scene. In Dostoevsky, you are the character, you are in the brain of the character speaking.

Dostoevsky had an interesting upbringing, being born in Moscow in 1821, and dying in 1881. His parents died (perhaps his father was murdered) when he was young, and he scraped for himself. He almost was executed as a political criminal, spent 4 years in a prison camp in Siberia where he became a devout Christian, and spent the rest of his life writing novels in the realist mode, describing the true Russia of the time. Dostoevsky artfully brings up topics of the basis for morality, the existence of God, and the Christian faith. The point of sanity in the sea of insanity through this novel is the few characters with a Christian faith, such as Sonya. Raskolnikov’s sanity exists only in the last paragraphs of the book as he inquires of the Christian faith. The book ends as though there would be sequel.

I’ll be reading much more Dostoevsky in the months ahead. I’m now working on The Brothers Karazamov and will then attack others, so sit tight.

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